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	<title>showburner &#187; the fresh and onlys</title>
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		<title>Releases – This Week’s Singles, 11th January 2010</title>
		<link>http://showburner.com/theblog/releases-this-weeks-singles-11th-january-2010</link>
		<comments>http://showburner.com/theblog/releases-this-weeks-singles-11th-january-2010#comments</comments>
		<pubDate>Mon, 11 Jan 2010 08:49:20 +0000</pubDate>
		<dc:creator>Alex</dc:creator>
				<category><![CDATA[The Blog]]></category>
		<category><![CDATA[campfires]]></category>
		<category><![CDATA[standard fare]]></category>
		<category><![CDATA[the fresh and onlys]]></category>

		<guid isPermaLink="false">http://showburner.com/?p=402</guid>
		<description><![CDATA[There's some solid hipster names out on the shelves this week knife-fighting for your recessionary 7" hard-earned, including <a href="http://www.myspace.com/whiterabbits">White Rabbits</a>' excellent "Percussion Gun", <a href="http://www.fyfedangerfield.com/">Fyfe Dangerfield</a> (off of The Maccabees) and his entertaining "She Needs Me" and the twitchy goodness of <a href="http://www.goodshoes.co.uk/">Good Shoes</a>' "Under Control". All worthy choices, we feel - but this week's headgear gets tipped towards San Francisco's 60s-tinged garage psychers <a href="http://www.myspace.com/thefreshonlys">The Fresh And Onlys</a>, Chicago's noisy and bombastic <a href="http://www.myspace.com/campfiresmusic">Campfires</a>, and the flat-out fucking brilliant Sheffield kids <a href="http://www.myspace.com/standardfare">Standard Fare</a> (pictured), who I fell a little bit in love with in the space of about thirty seconds.]]></description>
			<content:encoded><![CDATA[<p><img class="size-medium wp-image-403 alignnone" title="Standard Fare" src="http://showburner.com/wp-content/uploads/2010/01/standardfare-460x308.jpg" alt="Standard Fare" width="460" height="308" />There&#8217;s some solid hipster names out on the shelves this week knife-fighting for your recessionary 7&#8243; hard-earned, including <a href="http://www.myspace.com/whiterabbits">White Rabbits</a>&#8216; excellent &#8220;Percussion Gun&#8221;, <a href="http://www.fyfedangerfield.com/">Fyfe Dangerfield</a> (off of <del datetime="2010-01-11T14:09:32+00:00">The Maccabees</del> durr, The Guillemots, obviously) and his entertaining &#8220;She Needs Me&#8221; and the twitchy goodness of <a href="http://www.goodshoes.co.uk/">Good Shoes</a>&#8216; &#8220;Under Control&#8221;. All worthy choices, we feel &#8211; but this week&#8217;s headgear gets tipped towards San Francisco&#8217;s 60s-tinged garage psychers <a href="http://www.myspace.com/thefreshonlys">The Fresh And Onlys</a>, Chicago&#8217;s noisy and bombastic <a href="http://www.myspace.com/campfiresmusic">Campfires</a>, and the flat-out fucking brilliant Sheffield kids <a href="http://www.myspace.com/standardfare">Standard Fare</a> (pictured), who I fell a little bit in love with in the space of about thirty seconds.</p>
<p><span style="text-decoration: underline;"><strong>Standard Fare &#8211; Fifteen</strong></span></p>
<p>A biscuit off being Single Of The Week this one. This Sheffield three-piece have been together for a while now, although this is the first time I&#8217;ve come across them, and with a single &#8220;Dancing&#8221; out last year (video below) on Thee Sheffield Recording Company and an album due later in 2010 following this single, it looks like they&#8217;re finally getting busy. Normally, indiepop can just all blend together in a twitching great pile of steaming vintage clothing. Standard Fare seem somehow to make it all seem a bit more&#8230; well, grown up. It&#8217;s like a band with years under their belt who have decided to have a bit of fun for a change &#8211; there are some astute songwriting chops in here, and no mistake. This single relates an infatuation with a no-doubt pale and pretty teenage indie boy, with short, choppy Housemartins-y guitars, and Emma&#8217;s vocal veering between spoken-with-a-raised-eyebrow and a banshee wail, it&#8217;s just one of those records that&#8217;s fucking right-now immediate. Charming, charming stuff. The album&#8217;s called <em>The Noyelle Beat</em>, and it&#8217;s out in March &#8211; brilliantly for me, they&#8217;re also playing <a href="/sxsw">SXSW</a>, so you can guarantee we&#8217;ll be trailing this lot around like baby bloody ducks.</p>
<p><strong>VIDEO: STANDARD FARE &#8211; DANCING<br />
</strong></p>
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<p><span style="text-decoration: underline;"><strong>The Fresh And Onlys &#8211; Second One To Know</strong></span></p>
<p><img class="size-medium wp-image-406 alignnone" title="The Fresh And Onlys" src="http://showburner.com/wp-content/uploads/2010/01/freshandonlys-460x307.jpg" alt="The Fresh And Onlys" width="460" height="307" /></p>
<p>From Sheffield indiepop to San Francisco garage psych, with The Fresh And Onlys. Taking a whopping cue from the 60s &#8211; specifically, and to an almost bonkers level, The Who &#8211; The Fresh And Only nevertheless still manage to come up with a song that&#8217;s catchy enough to cut through the rigidly fashionable wave of &#8216;cooler&#8217; records this week., despite sounding like it genuinely was recorded forty-plus years ago. I always find bands that ape such an old sound to such a huge degree to be a bit weird &#8211; in this case though, it&#8217;s actually just plain old refreshing.</p>
<p><span style="text-decoration: underline;"><strong>Campfires &#8211; Stormy Late Fall</strong></span></p>
<p><img class="size-medium wp-image-407 alignnone" title="Campfires - Stormy Late Fall" src="http://showburner.com/wp-content/uploads/2010/01/campfiresstormylatefall-460x460.jpg" alt="Campfires - Stormy Late Fall" width="460" height="460" />Thought I&#8217;d listened to a taster of this but &#8211; in fact &#8211; it genuinely is only one minute and eighteen seconds long. Admittedly, it&#8217;s 78 seconds of booming and crashing drums, clanging and vastly distorted guitars and vocals being beamed in by phone filtered through a plane crash, so it&#8217;s not exactly light on substance. It is also deeply, deeply addictive. I must have listened to it twenty times today, and it&#8217;s genuinely made me question why all songs aren&#8217;t this short. Their lo-fi shoegaze (honestly, it&#8217;s a good idea),  all comes together like My Bloody Valentine channeling Japanther, which I think you&#8217;ll agree is pretty a tasty proposition. The only thing that&#8217;ll get annoying is getting up every minute to get the needle back to the start.</p>
<p><span style="text-decoration: underline;"><strong>THE SINGLES THAT&#8217;RE WARDING OFF THE COLD THIS WEEK:<br />
</strong></span> <a href="http://www.myspace.com/campfiresmusic">Campfires</a> &#8211; Stormy Late Fall<br />
<a href="http://www.myspace.com/thefreshonlys">Fresh And Onlys</a> &#8211; Second One To Know<br />
<a href="http://www.fyfedangerfield.com/">Fyfe Dangerfield</a> &#8211; She Needs Me<br />
<a href="http://www.goodshoes.co.uk/">Good Shoes</a> &#8211; Under Control<br />
<a href="http://www.myspace.com/lyrebirdsmusic">Lyrebirds</a> &#8211; Closer<br />
<a href="http://www.time4planb.co.uk/">Plan B</a> &#8211; Stay Too Long<br />
<a href="http://www.myspace.com/standardfare">Standard Fare</a> &#8211; Fifteen<br />
<a href="http://www.myspace.com/voiceofthesevenwoods">Voice Of The Seven Thunders</a> &#8211; The Burning Mountain<br />
<a href="http://www.myspace.com/whiterabbits">White Rabbits</a> &#8211; Percussion Gun</p>
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